Across the diverse practices of Antonia Sellbach, James Little, Katie Paine, Michael Georgetti, Paul Kaptein and Ross Taylor we see the recurring motifs of repetition, fragmentation, mutation, reflection and refraction.

Interestingly, all of the artists use relatively traditional media to explore the notion of the Glitch, an idea that we most commonly relate to new media and digital technology. While the term ‘Glitch’ is relatively new – the process it describes is as old as time: adaptation and change have always been essential to creative production.

The artists embrace the unexpected, stray from predetermined paths and in doing so create objects that are more than meets the eye.