The multi-layered and fractured video works of Charles Buenconsejo use technology to deliver insights into surveillance while addressing the nature of experienced time.

Martha Atienza puts simple aluminium sheeting to powerful effect by vibrating sound and integrating form into the gallery’s architecture.

Meanwhile, the dynamic figurative paintings of Lyle Buencamino command presence and fill much more space than their canvas limits would suggest.

Equally compelling are the figures of Ronald Ventura, sculptural in form and ready to get up from rest on their table.

Mutable Truths: Perspectives in Contemporary Philippine Art runs until Sunday April 30 at La Trobe Art Institute, 121 View Street, Bendigo.