The invitation to Henson's exhibition at Roslyn Oxley9 Gallery features a photo of a teenage boy, bare-chested and glistening with sweat, looking pensively away from the camera.

Henson has not decided which photos will be shown at the exhibition, which opens on September 20, but in an interview with the Herald's art critic John McDonald in this Saturday's Spectrum, he said ''it will focus more on the body and less on landscape''.

It is in stark contrast to Henson's 2010 exhibition at the Paddington gallery, his first show following the police raid, which appeared to disappoint his detractors by featuring works that were mostly landscapes and architectural ruins.

''He ignited controversy - now he's ditching it,'' was the title of a Herald column by Miranda Devine. However, gallery owner Roslyn Oxley said the show included landscape and figurative works that represented themes Henson had explored for more than three decades.

The show has not been sent to the Classification Board for review. ''This exhibition is a continuation of the same body of work that has previously received general classifications and therefore we didn't perceive a need to do so,'' Oxley said.

Following the controversy over Henson's photos, the NSW government changed its child pornography laws in 2010, removing the defence of artistic purpose. The law change meant artists who create images of naked children have to pay for a Commonwealth classification to insure against prosecution.

Roslyn Oxley9 Gallery submitted works from Henson's 2010 exhibition to the Classification Board, which ruled they would be ''unlikely to offend a reasonable adult''.

Oxley said the 2008 scandal had not affected Henson's work: ''There has been no impact. People who love and respect Bill Henson's work continue to love and respect his work.''

Last year, Henson gave a speech in which he described the 2008 scandal as ''at best inconvenient''.

In 2008, Henson's show at Roslyn Oxley9 was raided by police following accusations of child pornography. Several photos were seized, investigated and Henson's work was labelled ''revolting'' and ''devoid of artistic merit'' by the then prime minister Kevin Rudd.

In contrast, the then shadow treasurer Malcolm Turnbull, who owns Henson works, criticised the police raids of galleries displaying photos by Henson.

Criminal investigations into Henson were widened to include previous work and other galleries were forced to remove his photos from display.

But three weeks later, the NSW Director of Public Prosecutions decided not to proceed with any charges and the seized photos were returned to the gallery.

Henson is one of Australia's most highly regarded artists, having represented the country at the Venice Biennale.

He has been the subject of exhibitions at leading galleries, including the Art Gallery of NSW, which holds almost 70 works by Henson, including landscapes, ruins and figures.

''We obviously think he is very important in Australian art,'' said the gallery's curatorial director and head of international art, Tony Bond. ''I think Henson's imagination and the depth of his cultural engagement is quite extraordinary.''

Henson said he did not seek out controversy.

''Some people decide they want to be controversial,'' he said. ''I don't know who in their right mind could be so stupid.''